Vol. 5 No. 2 (2024): Artistic and artistic-cultural relations between the United Kingdom and Brazil

					View Vol. 5 No. 2 (2024): Artistic and artistic-cultural relations between the United Kingdom and Brazil

Scientific journal of the Graduate Program in Art History at the Federal University of São Paulo, Imagem: Revista de História da Arte is honored to announce, with this edition, its fifth volume. Marking the consolidation phase of the journal as a vehicle for academic debates and scientific dissemination in the expanded field of research that conceives Art History within the interdisciplinary space of the Humanities, Imagem presents in this volume the cultural contact points and artistic and visual dialogues between the United Kingdom and Brazil across an extended historical timeframe from the 17th to the 21st century. This is the "TACWARA DOSSIER - Artistic and Artistic-Cultural Relations between the United Kingdom and Brazil," organized by Prof. André Luiz Tavares Pereira from the Department of Art History at UNIFESP, bringing together contributions from Brazilian and foreign experts on the fascinating topic involving a vast geographical space marked by human contacts and circulations. Above all, the dossier enables a deeper understanding of the formative routes of art and culture in Brazil across different periods, always conceived within the scope of contacts and exchanges, that is, the constant movement that is the hallmark of history. The volume is complemented by Jefferson Mendes' thought-provoking text on methodological approaches in the study of images and Isabela Torres Rodrigues' article on mechanical trades related to woodwork in the Luso-Brazilian context between the 18th and 19th centuries.

Published: 2024-12-19

Editorial

Thematic Dossier

  • Tonight opened my eyes: the evident, and not always debated, cultural and artistic relations between the United Kingdom and Brazil

    André Luiz Tavares Pereira
    15-30
    DOI: https://doi.org/10.34024/imagem.v5i2.20165
  • A newly identified Brazilian painting by Robert Dampier

    Robert J. Wilkes
    31-63
    DOI: https://doi.org/10.34024/imagem.v5i2.20167
  • The Northumberland Portico: Neoclassical Interconnections Between Rio de Janeiro and Rome Through the Design of Robert Adam

    Angela Rosch Rodrigues
    64-89
    DOI: https://doi.org/10.34024/imagem.v5i2.20168
  • By a Lady: Elizabeth Eastlake’s Anonymous Writing

    Fátima Madeiro
    90-114
    DOI: https://doi.org/10.34024/imagem.v5i2.20169
  • Sunqua’s Rio De Janeiro: A British Sketch for a Cantonese Painting

    Carla Hermann
    115-134
    DOI: https://doi.org/10.34024/imagem.v5i2.20172
  • The Christie Affair and the Depictions of the English Diplomat in Semana Illustrada

    Bárbara Ferreira Fernandes
    135-159
    DOI: https://doi.org/10.34024/imagem.v5i2.20173
  • George Cruikshank and the Illustrations for Oliver Twist: How the Illustrations Convey Themes

    Liniane Diniz da Silveira
    160-184
    DOI: https://doi.org/10.34024/imagem.v5i2.20184
  • From Horse Stall to Object of Study: Considerations on George Chalmers’ Photobook

    Renata Oliveira Caetano, Fernando Antônio Cardoso Leite
    185-214
    DOI: https://doi.org/10.34024/imagem.v5i2.20186
  • Geopolitical Strategies in the Arts: The British Council and British Representation at the Venice and São Paulo Biennials (1950s-1960s)

    Maria de Fátima Morethy Couto
    215-241
    DOI: https://doi.org/10.34024/imagem.v5i2.20189
  • Another Places: William Beckford, Portugal and the Arts

    Paulo M. Kühl
    242-249
    DOI: https://doi.org/10.34024/imagem.v5i2.20191
  • A Visual Essay, by Marcelo Moscheta: Looking at the Clouds, the Color of Infinity

    André L. Tavares Pereira
    250-255
    DOI: https://doi.org/10.34024/imagem.v5i2.20202

Articles