Vol. 3 No. 2 (2023): Historiography and Sources for the History of Art in Brazil

					View Vol. 3 No. 2 (2023): Historiography and Sources for the History of Art in Brazil

Image: Revista de História da Arte, scientific journal of the Postgraduate Program in Art History at the Federal University of São Paulo, with this edition has the honor of making its third volume public. With extremely important contributions, the Dossier “Historiography and Sources for the History of Art in Brazil” is organized by Elaine Dias, Manoela Rufinoni, Leticia Squeff and André Tavares, Professors from the Department of Art History at UNIFESP and members of the CNPq Research Group HARPA – History of Art, Architecture and Heritage in Brazil and beyond Americas. The volume is completed by the “Articles” section, which brings new stimulating reflections prepared by researchers from national and foreign institutions, on the history and historiography of art, in addition to the study that places literary themes at the center of the argument. Reiterating the honor with which Imagem: Revista de História da Arte opens its third volume, we wish you all an excellent read!

Published: 2024-01-30

Expedient

  • EXP Magazine Team

    DOI: https://doi.org/10.34024/imagem.v3i2.16207

Editorial

  • EDI Editorial

    DOI: https://doi.org/10.34024/imagem.v3i2.16206

Thematic Dossier

  • DOS Presentation: Dossier Historiography and Sources for the History of Art in Brazil

    Elaine Dias, André Tavares, Manoela Rufinoni, Leticia Squeff
    DOI: https://doi.org/10.34024/imagem.v3i2.16209
  • DOS Fantasy as Architectural Experimentation in the First Work of G. B. Piranesi

    Angela Rosch Rodrigues
    19 - 41
    DOI: https://doi.org/10.34024/imagem.v3i2.16215
  • DOS The Beginnings of A Arte Brasileira, by Gonzaga Duque, in Guanabara

    Paula Ferreira Vermeersch
    42 - 53
    DOI: https://doi.org/10.34024/imagem.v3i2.16217
  • DOS A Big Deal: Three Paintings by Emilio Rouède in Exchange for a City

    Rodrigo Vivas
    54 - 91
    DOI: https://doi.org/10.34024/imagem.v3i2.16218
  • DOS Hanna Levy and the Old Saints

    Daniela Pinheiro Machado Kern
    92 - 101
    DOI: https://doi.org/10.34024/imagem.v3i2.16220
  • DOS Women and Modernity: Projective Rescue of Architects in Recife, in the 1950s

    Alcília Afonso de Albuquerque Melo
    102 - 119
    DOI: https://doi.org/10.34024/imagem.v3i2.16221
  • DOS Digital Art History: A Survey of Recent Research

    Arthur Valle
    120 - 153
    DOI: https://doi.org/10.34024/imagem.v3i2.16223

Articles

  • ART The Tragedy in the Gaze: Notes on The Symbol

    Claudio R.O Cavargere
    155 - 170
    DOI: https://doi.org/10.34024/imagem.v3i2.16227
  • ART Circulation of the Spanish Illustrated Discourse About Unworthy or Grotesque Religious Images. The Chilean Case

    Fernando Guzmán, Susana Gazmuir
    171 - 195
    DOI: https://doi.org/10.34024/imagem.v3i2.16241
  • ART From Darwin, through Carlyle, to the Nymph

    Isabela Gaglianone
    196 - 220
    DOI: https://doi.org/10.34024/imagem.v3i2.16252
  • ART Gurufim for Art History. About Historiographical Regimes and Dying Experiences

    Antônio Barros
    221 - 254
    DOI: https://doi.org/10.34024/imagem.v3i2.16253
  • ART Iconographies and Eugenics: Reflections on the Aesthetics of Horror Circus in the Belle Époque

    Márcia Barros Valdívia
    255 - 286
    DOI: https://doi.org/10.34024/imagem.v3i2.16255
  • ART The Red Thread that Unites Lenu and Lila: Friendship in the Neapolitan Tetralogy, by Elena Ferrante

    Ana Lectícia Angelotti
    287 - 315
    DOI: https://doi.org/10.34024/imagem.v3i2.16259
  • ART The Legacy of Makonde Mozambique Sculptural art in the Artistic Contemporary of Reinata Sadimba

    Evelyn Magalhães de Oliveira
    316 - 347
    DOI: https://doi.org/10.34024/imagem.v3i2.16260
  • ART Provincializing Bildung, Haunt History

    Maya Moldes
    348 - 363
    DOI: https://doi.org/10.34024/imagem.v3i2.16262
  • ART Trivialization of Pathos: On the Recent Ruínas de Carne by Adriana Varejão

    Adriel Dalmolin Zortéa
    364 - 391
    DOI: https://doi.org/10.34024/imagem.v3i2.16264

Full Edition

  • EDC Complete Edition

    Cássio da Silva Fernandes
    01 - 391
    DOI: https://doi.org/10.34024/imagem.v3i2.16265