Vol. 1 No. 1 (2022): Imagem: Revista de História da Arte

Capa da primeira edição da Imagem: Revista da Arte

Volume di lancio speciale di Imagem: Revista de História da Arte, una rivista internazionale con sede presso il Graduate Program in History of Art - PPGHA, della School of Philosophy, Letters and Human Sciences - EFCLH dell'Università Federale di San Paolo - UNIFESP. Fin dalla sua creazione, il PPGHA ha stabilito le sue finalità di inserimento istituzionale e impatto locale, regionale, nazionale e internazionale, promuovendo e articolando eventi, progetti e partnership con istituzioni nel nostro paese e all'estero. Imagem, consolida il suo ruolo internazionale nella promozione della Storia dell'Arte e delle aree affini in modo plurale, orizzontale e organico.

Published: 2022-08-16

Editorial

Thematic Dossier

  • DOS: PRESENTATION: HISTORY OF ART AND INTERDISCIPLINARITY

    Cássio da Silva Fernandes, José Geraldo Costa Grillo
    DOI: https://doi.org/10.34024/imagem.v1i1.14210

  • DOS: PER ASPERA AD ASTRA: OS PRIMEIROS SELOS AÉREOS BRASILEIROS SOB UM OLHAR WARBURGUIANO

    Vera Pugliese
    33 - 77
    DOI: https://doi.org/10.34024/imagem.v1i1.14159

  • DOS: UNITED BY NEED, NOT ENTHUSIASM. INTERDISCIPLINARITY IN THE LONG RUN

    Nicolás Kwiatkowski
    DOI: https://doi.org/10.34024/imagem.v1i1.14162

  • DOS: A NOTE ON THE RELATIONSHIP BETWEEN THE GENERAL AND THE PARTICULAR IN ART HISTORY

    Luiz César de Sá
    DOI: https://doi.org/10.34024/imagem.v1i1.14163

  • DOS: THE MANY LIVES OF THE PAST. NACHLEBEN, HISTORY, AND TEMPORALITY IN ABY WARBURG

    Naiara Damas
    DOI: https://doi.org/10.34024/imagem.v1i1.14164

  • DOS: OUT OF THE MARGINS: ICONOLOGY AS WAR MACHINE

    Hernán Ulm, Bruno Juliano
    DOI: https://doi.org/10.34024/imagem.v1i1.14171

  • DOS: FROM LIFE CYCLES TO ITINERARIES: CYLINDRICAL TRIPOD VESSELS FROM KAMINALJUYU, GUATEMALA

    Fernando Pesce, Pedro Paulo Funari
    DOI: https://doi.org/10.34024/imagem.v1i1.14172

  • DOS: THE LABYRINTHS OF THE ART OF NARRATING: HISTORY OF ART AND LITERATURE

    Yvone Dias Avelino
    DOI: https://doi.org/10.34024/imagem.v1i1.14173

Articles

  • ART: NOTES ON THE BLOOD OF CHRIST IN DEVOTIONAL PANELS OF THE LAST JUDGMENT

    Tamara Quírico
    DOI: https://doi.org/10.34024/imagem.v1i1.14177

  • ART: BERNINI AND ART CRITICISM: BETWEEN PAUL FRÉART DE CHANTELOU’S DIARY AND THE BIOGRAPHIES OF FILIPPO BALDINUCCI AND DOMENICO BERNINI

    Alexandre Ragazzi
    DOI: https://doi.org/10.34024/imagem.v1i1.14178

  • ART: GUTIERREZ DE LOS RIOS AND THE PRAISE OF PAINTING BY PHILIPE NUNES

    Raquel Quinet Pifano
    DOI: https://doi.org/10.34024/imagem.v1i1.14179

  • ART: GUADALUPAN ENGRAVINGS IN THE MEXICAN RARE BOOK. COMMENTS ON TECHNICAL ASPECTS AND PUBLISHING USES

    Marina Garone Gravier
    DOI: https://doi.org/10.34024/imagem.v1i1.14180

  • ART: BAROQUE DECENTRALIZATIONS

    Rosana Pereira de Freitas
    DOI: https://doi.org/10.34024/imagem.v1i1.14182

  • ART: MEN IN BLACK: CLOTHING AND IDENTITY IN THE MUSICIANS DEPICTION’S FROM XVIITH TO XIXTH CENTURY

    Márcio Páscoa
    DOI: https://doi.org/10.34024/imagem.v1i1.14191

  • ART "JUDGE BY THE COPIES": THE KNOWLEDGE AND CIRCULATION OF EUROPEAN PAINTING IN CHILE

    Marcela Drien
    DOI: https://doi.org/10.34024/imagem.v1i1.14192

  • ART: THEO VAN GOGH AS A DEALER OF IMPRESSIONISTS

    Felipe Sevilhano Martinez
    DOI: https://doi.org/10.34024/imagem.v1i1.14193

  • ART: VAN GOGH, WARBURG AND THE UNFORGETTABLE

    Tiago Macini
    DOI: https://doi.org/10.34024/imagem.v1i1.14197

  • ART: VISUAL EPIGRAM OF A LYRICAL NARRATIVE: PERI E CECI BY DOMENICO DE ANGELIS

    Luciane Viana Barros Páscoa
    DOI: https://doi.org/10.34024/imagem.v1i1.14205

  • ART: REVIEWING IMAGES OF AFRICAN CERAMICS – THE HISTORY OF CERAMICS IN BRAZILIAN ART

    Priscila Leonel
    DOI: https://doi.org/10.34024/imagem.v1i1.14217

  • ART: ANIKI-BÓBÓ AND SCIUSCIÀ: THE TESSITURE OF THE NULLIFICATION REPRESENTED IN IMAGES

    Frederico Osanan Amorim Lima
    DOI: https://doi.org/10.34024/imagem.v1i1.14218

  • ART: ON THE CONCEPT OF OBSCURE THEATRICALITY (T) IN THE VISUAL ARTS

    Jorge Luiz Dutra Soledar
    DOI: https://doi.org/10.34024/imagem.v1i1.14219

Exhibition Reviews

  • REX: IT IS DARK BUT I SING / REVIEW OF THE 34TH BIENNIAL FROM SAO PAULO

    Laura Escorel de Moraes
    DOI: https://doi.org/10.34024/imagem.v1i1.14221

Translations and Documents

  • TRA: REGNANS IN EXCELSIS - BULL OF EXCOMMUNION OF ELIZABETH I – 1569

    Ettore Quaranta; Lucas Olles
    DOI: https://doi.org/10.34024/imagem.v1i1.14223

  • TRA: LETTER FROM LEON BATTISTA ALBERTI TO MATTEO DE’ PASTI, 18 NOVEMBER 1454

    Patricia D. Meneses
    DOI: https://doi.org/10.34024/imagem.v1i1.14224