DOS: NÃO ESTAMOS UNIDOS PELO ENTUSIASMO, MAS POR NECESSIDADE. INTERDISCIPLINARIDADE A LONGO PRAZO

Autores

  • Nicolás Kwiatkowski UNSAM-CONICET

DOI:

https://doi.org/10.34024/imagem.v1i1.14162

Palavras-chave:

História da Arte, África, Interdisciplinaridade

Resumo

Após uma breve síntese da história da interdisciplinaridade durante o século XX, o artigo aborda o assunto a partir de um caso. Por fim, são propostas algumas conclusões preliminares.

Downloads

Não há dados estatísticos.

Referências

Abel, M. (2016). Relevant Interdisciplinarity: Taking the Art History Classroom to the Field. Peregrinations: Journal of Medieval Art and Architecture, 5, 3: 1-11.

Alpers, S. (1977). Is Art History? Daedalus, 106(3), 1-13.

Altamirano, C. (2002). “Intelectuales”. En C. Altamirano (Dir.). Términos críticos de sociología de la cultura. Buenos Aires: Paidos.

Barthes, R. (1977). Image—music—text. New York: Hill and Wang.

Bassani, E. (1975). Antichi avori africani nelle collezioni Medicee I-II. Critica d’Arte, 143, 69-80; 144, 8-23.

Bassani, E., & W. Fagg. (1988). Africa and the Renaissance: Art in Ivory. Nueva York: Center for African Art.

Baxandall, M. (1972). Painting and Experience in Fifteenth Century Florence: A Primer in the Social History of Style. London.

Belting, H. (1987). The End of Art History? Chicago: University of Chicago Press.

Ben Amos, P. (1976). Men and Animal in Benin Art. Man, 2, 243-52.

Ben-Amos, P. (1980). The Art of Benin. Nueva York: Thames and Hudson.

Ben-Amos, P. (1983). Who is the Man in the Bowler Hat? Baessler-Archiv, NF, 131, 11-183.

Bloch, M. (2006). Los reyes taumaturgos. México: FCE. (Publicação original em: 1924).

Burke, P. (2020). The Polymath. A Cultural History from Leonardo da Vinci to Susan Sontag. New Haven and London: Yale University Press.

Burucúa, J. E. B., & Kwiatkowski, N. (2019). Historia natural y mítica de los elefantes. Buenos Aires: Ampersand.

Clark, T. J. (1973). Image of the People: Gustave Courbet and the 1848 Revolution. London: Thames & Hudson.

Cohn, B. S. (1980, April). History and Anthropology: The State of Play, Comparative Studies in Society and History, 22, 2, 198-221.

Condee, W. (2016). The Interdisciplinary Turn in the Arts and Humanities. Issues in Interdisciplinary Studies, 34, 12-29.

Curnow, K. (1983). The Afro Portuguese Ivories (Ph.D. Dissertation). Indiana University.

Da Mota, T. A. (1975). Gli avori africani nella documentazione portoghese dei secoli 15-17. Africa, 30, 580-589.

De Gois, D. (1945). Opusculos Historicos. Porto: Livraria Civilização.

De Resende, G. (1545). Chronica de Dom Joao II. Lisboa.

Dowell, E. (1999, Spring). Interdisciplinarity and New Methodologies in Art History: A Citation Analysis. Art Documentation: Journal of the Art Libraries Society of North America, 18(1), 14-19.

Egharevba, J. (1968). A Short History of Benin. Ibadan: Ibadan University Press.

Elias, N. (1982). Scientific Establishments. In E. H. Martins, & R.

Whitely. (Eds.). Scientific Establishments and Hierarchies. Dordrecht: Springer.

Fernandes, V. (1951). Description de la Cote Occidentale d’Afrique, Senégal au cap de Monte Archipels. Bissau: Centro de Estudos da Guiné Portuguesa.

Foucault, M. (1977). Discipline & punish: The birth of the prison. New York: Vintage.

Ginzburg, C. (2014). Miedo, reverencia, terror. Cinco ensayos de iconografía política. México: Contrahistorias.

Goodman, D. (1994). The Republic of Letters: A Cultural History of the French Enlightenment. Ithaca: Cornell University Press.

Graff, H. J. (2015). Undisciplining Knowledge: Interdisciplinarity in the Twentieth Century. Baltimore, MD.

Graff, H. J. (2016, Winter). The “Problem” of Interdisciplinarity in Theory, Practice, and History. Social Science History, 40, 775-803.

Hall, S. (2006). Reconstruction Work: Images of Postwar Black Settlement. In J. Procter (Ed.). Writing Black Britain, 1948-98: An Interdisciplinary Anthology. Manchester: University Press.

Hicks, D. (2020). The Brutish Museum. The Benin Bronzes, Colonial Violence and Cultural Restution. London: Pluto.

Jones, A. (1983). From Slaves to Palm Kernels. A History of the Galinhas Country West Africa 1730-1890. Wiesbaden: Franz Steiner Verlag.

Kalb, D., H., & Marks, H. T. (1996). Historical anthropology and anthropological history: two distinct programs, Focaal, 26/27, 5-13.

Klein, J. T. (1990). Interdisciplinarity: History, theory, and practice. Detroit: Wayne State University Press.

Kraft, S. (1989). Interdisciplinarity and the Canon of Art History. Issues in Integrative Studies, 7, 57-71.

Landolphe, J. F. (1823). Mémoires du capitaine Landolphe. Paris: A. Bertrand.

Law, R. (1973). Traditional History. En S. O. Biobaku. (Ed.). Sources of Yoruba History, Oxford: Clarendon Press.

Lundén, S. L. (2016). Displaying Loot. The Benin Objects and the British Museum (Tesis de doctorado). Universidad de Göteborg, Sweden.

Maskell, A. (1905). Ivories. Londres: Methuen and Co.

McCall, F. (1964). Africa in Time-Perspective. A Discussion of Historical Reconstruction from Unwritten Sources. Boston-Legon: Boston University Press, Ghana University Press.

Mitchell, W. J. T. (1995). Interdisciplinarity and Visual Culture. Art Bulletin, 77(4), 540-545.

Pasler, J. (1997). Round Table III: Directions in Musicology. Acta Musicologica, 69(1), 16-21.

Pereira Duarte, P. (1505). Esmeraldo de Situ Orbis. Londres: The Hakluyt Society.

Poynor, R. (1976). Edo influence on the art of Ono. African Arts, 9, 4-45.

Rees, A. L., & Borzello, F. (1986). The New Art History. London: Camden Press.

Rorty, R. (1979). Philosophy and the mirror of nature. Princeton: Princeton University Press.

Ryder, A. F. C. (1969). Benin and the Europeans. Harlow: Longmans.

Severi, C. (2004). El sendero y la voz. Buenos Aires: SB.

Shaw, T. (1978). Nigeria: Its Archaeology and Early History. Londres: Thames and Hudson.

Thomas, K. (1963). History and Anthropology, Past and Present, 24, 3-24.

Vansina, J. (1981). Oral Tradition and its Methodology. En Ki-Zerbo, J. General History of Africa I. Methodology and African Prehistory. París: UNESCO, 142-165.

Vansina, J. (2013 [1984]). Art History in Africa. An Introduction to Method. Londres-Nueva York: Routledge.

Vogel, S. (1979). Art and Politics: A staff from the Court of Benin, West Africa. Metropolitan Museum of Art Journal, 13, 87-100.

Warburg, A. (2005). El renacimiento del paganismo. Aportaciones a la historia cultural del Renacimiento europeo. Madrid: Alianza, 2005.

Winston Blackmun, B. (1992). The Elephant and its Ivory in Benin, en Ross, Doran. Elephant. The Animal and its Ivory in African Culture. Los Angeles: University of California, Fowler Museum of Cultural History.

Imágenes

Colmillo tallado, Edo, 1775-1777, Minneapolis Institute of Art, Minneapolis.

a. Caja Afroportuguesa, circa 1490-1530, con escenas de la Pasión, Walters Art Gallery, Baltimore.

b. “El beso de Judas”, Horae Beatae Mariae Virginis, de Philippe Pigouchet, París, 1498.

Publicado

2022-08-16

Como Citar

Kwiatkowski, N. (2022). DOS: NÃO ESTAMOS UNIDOS PELO ENTUSIASMO, MAS POR NECESSIDADE. INTERDISCIPLINARIDADE A LONGO PRAZO. Imagem: Revista De Hist´ória Da Arte, 1(1). https://doi.org/10.34024/imagem.v1i1.14162
Recebido: 2022-08-09
Publicado: 2022-08-16