ART: ON THE CONCEPT OF OBSCURE THEATRICALITY (T) IN THE VISUAL ARTS

Authors

  • Jorge Luiz Dutra Soledar Artist-researcher and adjunct professor at EBA/UFRJ.

DOI:

https://doi.org/10.34024/imagem.v1i1.14219

Keywords:

Contemporary art, Immobility, Theatricality

Abstract

This article was extracted from my doctoral thesis Immobility Exercises (PPGAV-EBA/ UFRJ, 2017), based on kinetic, sculptural and affective conditions about the issue of corporal immobility, in which I aim to expand meanings of theatricality as a concept in the field of Contemporary Art. In that case, I introduce the new concept I called “obscure theatricality (T)” based on reflections about aesthetic propositions that play constrictions or erasures of the human figure.

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References

Didi-Huberman, G. (1998). O que vemos, o que nos olha. São Paulo: Editora 34, 1998.

Fried, M. (2002). Arte e objetidade. Em G., Ferreira, P. Venancio Filho. (Orgs.). Arte & Ensaios, 9, 131-147.

Jorge, M. A. C. (2005). Fundamentos da psicanálise de Freud a Lacan. As bases conceituais (Volume 1). Rio de Janeiro: Zahar.

Kehl, M. R. (2005). Eu e o corpo. Em Seminário – Corpo Representado, 2005. Catálogo da exposição O Corpo. São Paulo: Itaú Cultural, 2005, 110-118.

Michelson, A. (2013) Robert Morris – An Aesthetics of Transgression. In J. Bryan-Wilson (Ed.). Robert Morris, October Files 15. Cambridge: The MIT Press.

Morris, R. (2013). Notes on Dance. In J. Bryan-Wilson (Ed.). Robert Morris, October Files 15. Cambridge: The MIT Press.

Capa da primeira edição da Imagem: Revista da Arte

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Published

2022-08-16

Issue

Vol. 1 No. 1 (2022): Imagem: Revista de História da Arte

Section

Articles

How to Cite

Dutra Soledar, J. L. (2022). ART: ON THE CONCEPT OF OBSCURE THEATRICALITY (T) IN THE VISUAL ARTS. Imagem: Revista De História Da Arte, 1(1). https://doi.org/10.34024/imagem.v1i1.14219