About the Journal

Imagem: Revista de História da Arte (ISSN 2965-2952) is an international academic journal affiliated with the Graduate Program in Art History at the Federal University of São Paulo (Brazil). The journal is dedicated to Art History and related fields, fostering the circulation of original research and critical debate. Imagem is edited and managed by scholars from various institutions worldwide, committed to the study, development, and dissemination of Art History. The journal charges no submission or publication fees. All articles are licensed under the Creative Commons Attribution – NonCommercial 4.0 International License (CC BY-NC 4.0): https://creativecommons.org/licenses/by-nc/4.0/. Imagem uses Turnitin for plagiarism detection and follows the COPE (2019) Retraction Guidelines.

Announcements

Current Issue

Vol. 6 No. 1 (2025): Medievalisms and the Arts in the Nineteenth Century
					View Vol. 6 No. 1 (2025): Medievalisms and the Arts in the Nineteenth Century

The scientific journal of the Graduate Program in Art History at the Federal University of São Paulo, Imagem: Journal of Art History is honored to announce, with this edition, its sixth volume.

Published: 2025-12-12

Expedient

  • Editorial Board

    DOI: https://doi.org/10.34024/5x11f968

Editorial

  • Editorial

    DOI: https://doi.org/10.34024/n2qwfv29

Thematic Dossier

  • Presentation of the Dossier Medievalisms and the Arts in the Nineteenth Century

    Flávia Galli Tatsch, Maria Cristina Correia Leandro Pereira
    DOI: https://doi.org/10.34024/6dxqw775
  • In search of lost meaning: Nineteenth-century studies of the Mass of Saint Gregory Nineteenth-century studies of the Mass of Saint Gregory

    Doglas Morais Lubarino
    DOI: https://doi.org/10.34024/63wpym35
  • The Renaissance of Stained Glass Art in the 19th Century and the Recovery of Medieval Techniques

    Eliane Areas Cid
    DOI: https://doi.org/10.34024/sagd0m27
  • RETRACTION: Isabella I and the Construction of the Spanish Nation Representations, Memory, and Monumentalization in the 19th Century

    Adriana Vidotte, Saymon da Silva Siqueira
    DOI: https://doi.org/10.34024/yqhgpx65
  • Weaving Nationalisms: Uses and Meanings of the Bayeux Tapestry in the Anglo-French Context of the 19th Century

    Paulo Christian Martins Marques da Cruz
    DOI: https://doi.org/10.34024/cq6zds40
  • Travelling to Byzantium: Mikhail Vrubel and the Urgency of a Byzantine Renaissance

    Biagio D'Angelo, Júlia Lima Thomaz de Godoy
    DOI: https://doi.org/10.34024/b0cqv217
  • Medievalism in Wood and Plaster: Devotional Sculpture in the Period of Brazilian Eclecticism

    Cristiana Antunes Cavaterra
    DOI: https://doi.org/10.34024/kw8a0e30

Articles

  • Raids of the floating world the orientalist construction of the Japanese presence in Impressionism

    Fabiano de Araujo
    DOI: https://doi.org/10.34024/acrbrm02
  • Isso é cinema de quebrada, mano? Reflexões a partir da experiência do Coletivo Companhia Bueiro Aberto

    Daniel Neves de Andrade
    DOI: https://doi.org/10.34024/pzhb0x79

Translations and Documents

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