THE KNOWLEDGE OF POPULAR IMAGES: SOCIAL PSYCHOLOGY AND AESTHETIC EXPERIENCE IN FANTASTIC BUILDERS AND ARCHITECTURES

Authors

  • Arley Andriolo Instituto de Psicologia - Universidade de São Paulo

DOI:

https://doi.org/10.24316/prometeica.v0i17.227

Keywords:

Social Psychology of the Image, Popular Art, Art and Society, Social Aesthetics

Abstract

The recognition of the objects produced by popular class members as art objects corresponds to a historical process between the XIXth and the XXth centuries. Those objects were considered regarding their qualities as “revolutionary” and “anti-capitalist.” Among the architectural works, there were creative and fantastic images which concentrate a problem on the knowledge of popular images. The study of this question lies in two interconnected fields: 1) the artistic field, with its habitus and its rules; 2) and the field of folklore, with its own rules. In both, the knowledge of the image is limited because the proper meaning of the experience and its original imaginary are not discussed. This article seeks to examine this question, and the result is a proposition of three fundamental elements of the image knowledge, concerning art, imagination and aesthetic experience.

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Published

2018-08-03

Issue

No. 17 (2018): Prometeica - nº 17 (08/2018 - 01/2019)

Section

Image and Knowledge

License

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How to Cite

Andriolo, A. (2018). THE KNOWLEDGE OF POPULAR IMAGES: SOCIAL PSYCHOLOGY AND AESTHETIC EXPERIENCE IN FANTASTIC BUILDERS AND ARCHITECTURES. Prometeica - Journal of Philosophy and Science, 17, 30-45. https://doi.org/10.24316/prometeica.v0i17.227