Vol. 4 No. 1 (2024): Art and Archeology of Pompeii

					View Vol. 4 No. 1 (2024): Art and Archeology of Pompeii

With the invaluable contribution of renowned experts from Brazil and abroad, the volume is composed of the dossier "Art and Archaeology in Pompeii," produced through the efforts of two eminent Brazilian scholars on the subject: Professors José Geraldo Costa Grillo from the Department of Art History at UNIFESP, and Pedro Paulo Funari from the Department of History at UNICAMP. The dossier, which stands out as a publication of extreme originality in the context of art history and archaeology studies in Brazil, consists of a collection of articles addressing various aspects related to the topic, offering an update on research concerning art and archaeology in Pompeii. It examines and discusses disciplinary and methodological aspects related to the subject matter with the aim of understanding how the discovery of the cities buried by Vesuvius in the eighteenth century impacted the way Antiquity was understood. It considers issues related to the importance of the Pompeii excavations for Brazilian studies in the field of Classical Archaeology and the reception of the archaeological discoveries in Pompeii within the arts in later periods, as well as reflections on the topic of sexuality and its epistemological implications, and even the issue of publicity in the context of research on Pompeii.

Published: 2024-09-03

Expedient

  • EXP Editorial Staff

    2-9
    DOI: https://doi.org/10.34024/fg8drd54

Editorial

  • EDI Editorial

    11-12
    DOI: https://doi.org/10.34024/14fwv116

Thematic Dossier

  • DOS Art and Archeology of Pompeii: Presentation Of The Dossier

    José Geraldo Costa Grillo, Pedro Paulo A. Funari
    13-15
    DOI: https://doi.org/10.34024/imagem.v4i1.19436
  • DOS Art and Archeology of Pompeii: Presentation Of The Dossier

    José Geraldo Costa Grillo, Pedro Paulo A. Funari
    16-17
    DOI: https://doi.org/10.34024/z8ps3v13
  • DOS Art and Archeology of Pompeii: Presentation Of The Dossier

    José Geraldo Costa Grillo, Pedro Paulo A. Funari
    18-19
    DOI: https://doi.org/10.34024/134dyh79
  • DOS Pompeii and the rise of Classical Archeology in Brazil: Appointments on Teresa Cristina’s and Nísia Floresta’s contributions

    Renata Senna Garraffoni
    21-42
    DOI: https://doi.org/10.34024/imagem.v4i1.19447
  • DOS New ways of seeing Classical Antiquity: Pompeii through the Madrazo Archive

    María Eugenia Cabrerizo Barranco
    43-73
    DOI: https://doi.org/10.34024/imagem.v4i1.19448
  • DOS Pompeian dancers of the Segovian “Retretito Regio”

    María Martín de Vidales García
    74-95
    DOI: https://doi.org/10.34024/imagem.v4i1.19449
  • DOS Iconophagic synchrony: Picasso and pompeian images on the origins of the Ballet Parade (1917)

    Rafael Jackson-Martín
    96-122
    DOI: https://doi.org/10.34024/imagem.v4i1.19450
  • DOS Pompeii, the secret cabinet, or how to deal with sex

    Pedro Paulo A. Funari, José Geraldo Costa Grillo
    123-145
    DOI: https://doi.org/10.34024/imagem.v4i1.19452
  • DOS Pompeii between censorship and fascination: the collection of the Gabinetto Segreto at the Archaeological Museum of Naples

    Gabriela Isbaes
    146-168
    DOI: https://doi.org/10.34024/imagem.v4i1.19453
  • DOS Marketing, architecture and art at the service of commerce in Pompeii

    Paulo Pires Duprat
    169-219
    DOI: https://doi.org/10.34024/imagem.v4i1.19454

Publications Reviews

  • RES What emotion! What emotion?

    Thiago Abercio Cordeiro de Oliveira, Flávio Weinstein Teixeira
    243-249
    DOI: https://doi.org/10.34024/imagem.v4i1.19456

Translations and Documents

  • TRA The singularity of the drapery or the expressiveness of ornament in Aby Warburg

    Maria Ivette Job
    220-242
    DOI: https://doi.org/10.34024/imagem.v4i1.19455

Full Edition

  • EDI Art and Archeology of Pompeii

    Cássio da Silva Fernandes
    1-249
    DOI: https://doi.org/10.34024/rk42xz19